I remember it as if it were now: '–Photographers have a soul’. That's what the great Humberto Rivas told me in a portrait workshop in Barcelona more than twenty years ago.
Fa més de deu anys que fotografio el districte 22@ de Barcelona, la decidida transformació del bressol de la revolució industrial de la ciutat en un districte d'innovació urbana.
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Neither photographs nor movies can exist without the looks of the viewers for whom they were created. All communication is always based on an exchange of looks.
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There are some things that you don’t learn when you study photography in college and that only life teaches you, as a person and as a photographer.
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The best thing about being a photographer is that it allows you to express yourself with a freedom that you are not always aware of. We all look at the same reality but each one of us interprets it in its own way.
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Publico aquesta entrada en ocasió de la presentació del llibre ‘La producció de l’interiorisme’ de l’Agustí Costa, per a qui he tingut la fortuna de fotografiar els seus projectes des de 1997.
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There is no secret to become an architecture photographer: in its most basic form, everything comes down to you, your camera and the light mixed in a curious combination. Let me explain my experience about it.
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El Capricho, built in Comillas in the northern region of Cantabria in Spain in 1885, is one of Antoni Gaudí's youth early works and is contemporary to the recently restored Vicens House in Barcelona.
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